Riefenstahl later received a package from Fanck containing the script of the 1926 film The Holy Mountain. She persuaded him to feature her in one of his films. After Riefenstahl told him how much she admired his work, she also convinced him of her acting skill. At a meeting arranged by her friend Gunther Rahn, she met Arnold Fanck, the director of Mountain of Destiny and a pioneer of the mountain film genre. On one of her adventures, Riefenstahl met Luis Trenker, an actor who had appeared in Mountain of Destiny. She became inspired to go into movie making, and began visiting the cinema to see films and also attended film shows. It was while going to a doctor's appointment that she first saw a poster for the 1924 film Mountain of Destiny. She began to suffer a series of foot injuries that led to knee surgery that threatened her dancing career. Riefenstahl often made almost 700 ℛ︁ℳ︁ for each performance and was so dedicated to dancing that she gave filmmaking no thought. Riefenstahl attended dancing academies and became well known for her self-styled interpretive dancing skills, traveling across Europe with Max Reinhardt in a show funded by Jewish producer Harry Sokal. Without her husband's knowledge, she enrolled Riefenstahl in dance and ballet classes at the Grimm-Reiter Dance School in Berlin, where she quickly became a star pupil. His wife, however, continued to support her daughter's passion. Her father instead wanted to provide his daughter with an education that could lead to a more dignified occupation. In 1918, when she was 16, Riefenstahl attended a presentation of Snow White which interested her deeply it led her to want to be a dancer. Her mother was confident her daughter would grow up to be successful in the field of art and therefore gave her full support, unlike Riefenstahl's father, who was not interested in his daughter's artistic inclinations. She was also athletic, and at the age of twelve joined a gymnastics and swimming club. She began to paint and write poetry at the age of four. ![]() Riefenstahl fell in love with the arts in her childhood. Riefenstahl had a younger brother, Heinz, who was killed at the age of 39 on the Eastern Front in Nazi Germany's war against the Soviet Union. However, her mother, Bertha Ida (Scherlach), who had been a part-time seamstress before her marriage, had faith in Riefenstahl and believed that her daughter's future was in show business. Since Riefenstahl was the only child for several years, Alfred wanted her to carry on the family name and secure the family fortune. Her father, Alfred Theodor Paul Riefenstahl, owned a successful heating and ventilation company and wanted his daughter to follow him into the business world. ![]() Helene Bertha Amalie Riefenstahl was born in Berlin on 22 August 1902. Throughout her later life, she denied having known about the Holocaust, and was criticized as the "voice of the 'how could we have known?' defense." Riefenstahl's postwar work included an autobiography and two photography books on the Nuba people. Īfter the war, Riefenstahl was arrested and found to be a Nazi " fellow traveller" but was not charged with war crimes. Adolf Hitler closely collaborated with Riefenstahl during the production of at least three important Nazi films, and they formed a friendly relationship. Her involvement in Triumph of the Will, however, significantly damaged her career and reputation after World War II. The films are widely considered two of the most effective and technically innovative propaganda films ever made. In the 1930s, she directed the Nazi propaganda films Triumph of the Will (1935) and Olympia (1938), resulting in worldwide attention and acclaim. Riefenstahl became one of the few women in Germany to direct a film during the Weimar era when, in 1932, she decided to try directing with her own film, Das Blaue Licht ("The Blue Light"). After seeing a promotional poster for the 1924 film Mountain of Destiny, she was inspired to move into acting and between 19 starred in five successful motion pictures. ![]() Ī talented swimmer and an artist, Riefenstahl became interested in dancing during her childhood, taking lessons and performing across Europe. ![]() Helene Bertha Amalie Riefenstahl ( German: ⓘ 22 August 1902 – 8 September 2003) was a German director, producer, screenwriter, editor, photographer and actress known for producing Nazi propaganda.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |